Videodança: o corpo em movimento na tela

Abstract

This course conclusion paper is a practical reflection and observation about the aspects established in the hybridization of dance and video whose artistic product is videodance. From this perspective, the present work deals with the interaction between dance and technology. Thus, the research shows the relationships arising from the dialogue between the body and the camera and their consequences in the creation of videodance. This work articulates the knowledge from different areas of knowledge, aiming to broaden the reflections and analysis about the relationship between the body, the camera and dance movements. Thus, the present work analyzes video dance and dance and cinema works in order to investigate the dramaturgical and aesthetic potentialities of dance in the screen space and their contributions in the aesthetic and dramaturgical production of videodance. The cartographic methodological theoretical framework guides the choices and the means of production of videodance produced from the studies and theoretical frameworks adopted in this work.