Graça: experiências de um processo criativo em dança contemporânea

Abstract

This research emerged from an experience following the creative process of GRAÇA by Giradança/RN Company together with Brazilian choreographer Elisabete Finger. Given this fertile dance scenario, typical of the creative environment, my theme is the perception and observation of dance and its articulations with transdisciplinary principles in which dance, in its way of investigating content and concepts, navigates through fields of knowledge, glimpsing dance issues in the aesthetic, ethical and political context. As a technique for the methodological process, I used the files generated in the creative process, in the format of video, audio, photo and text to inquire about the methodologies for following processes that were constructed in this experience. The methodology used comes from the contributions of the cartography method, which in my investigative and procedural path was developed with the clues that made the most sense during the research, a window to experiment with other approaches to studying dance creation. TThis study aims to investigate frictions between dance, based on the creative process GRAÇA, and transdisciplinary principles. The study intends to delve deeper into the methodologies of artistic creation, developed in the dance environment, as well as explore the perspective of those who follow the creative process, a function that awakens dance clues in technological mediation.